Archival inkjet photograph on polypropylene paper, mounted to 3mm Dibond panel, and coated with UV and scratch resistant laminate, 2022, 36in x 48in $4300 (unframed)
30in x 30in, Archival Inkjet Photograph on Epson Metallic Glossy Mounted on Dibond and Plexiglass panel 42" x 42" (Edition of 3) - $4350 USD 36" x 36" (Edition of 5) - $2650 USD 30" x 30" (Edition of 5) - $1950 USD (In Gallery Inventory) 24" x 24" (Edition of 8) - $1400 USD Artist Proof (x3)
48in x 36in Archival Inkjet Photograph on Epson Metallic Glossy Mounted on Dibond and Plexiglass panel $4300 1/3
42in x 42in Archival Inkjet Photograph on Epson Metallic Glossy Mounted on Dibond and Plexiglass panel $4350 3/3
42x42in Archival Inkjet Photograph on Epson Metallic Glossy Mounted on Dibond and Plexiglass panel 3/3 edition $4350
24x24in 1/8 Archival Inkjet Photograph on Epson Metallic Glossy Mounted on Dibond and Plexiglass panel $1400 (1/8 sold)
30x40in 1/5 Archival Inkjet Photograph on Epson Metallic Glossy Mounted on Dibond and Plexiglass panel $2650
42x56in 1/3 Archival Inkjet Photograph on Epson Metallic Glossy Mounted on Dibond and Plexiglass panel $5500
36x36in 1/3 Archival Inkjet Photograph on Epson Metallic Glossy Mounted on Dibond and Plexiglass panel $2650
KEVIN BOYLE
BIO
Kevin Boyle is a photographer based in Vancouver, BC. He was born and raised in the Canadian Prairies and spends his time roaming the vastness of the plains of his homeland, but has now turned his lens towards the future.
In the artist words, "Lithium, the second installment in my 'Elemental' series, explores the impact and months-to-years-long process of harnessing this increasingly precious resource. A resource that can reduce our carbon footprint drastically. The abstract beauty of the lithium evaporation ponds in Silver Peak, Nevada and the geometric patterns of massive solar farms in both California and Nevada shine a light on a key question of our time: Are these fossil fuel alternatives designed to reduce our footprint, or to make consumers feel better about their buying habits?"
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By using a modern digital sensor combined with a forty year-old ‘shift’ lens and a medium format film camera with a high-resolution scanner, Boyle has bridged the gap between the past and present through his photographs and allowed the viewer to realize, in abstraction, the future of energy.